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System change in Hungary in 1989/90. did not change the theater structure, although the publishing structure was significantly transformed.
The fourteenth volume of the first edition of Matoš's collected works brings theater and concert reviews from the period 1910–1913, confirming Matoš as a top aesthetician and cultural critic.
Each text in this book is a rounded whole and was created for some reason, but they all overlap and break exclusively theatrical frameworks, speaking comparatively and interdisciplinary.
The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
In a witty and instructive essay, Čapek describes how a newspaper, a film, and a theater play are created. Through humor and irony, he shows the complexity of the process – from idea to realization – and the different perspectives of the participants, dem