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It is a work that deals with difficult post-war themes, personal tragedies, emotional wounds, and relationships within the family, especially between fathers and children.
Marija Paprasharovski's book Figures and Shadows deals with the plays of two prominent French writers, Jean Genet and Bernard-Marie Koltès.
The book by Croatian writer and essayist Živko Jeličić is one of the most influential interpretations of Marin Držić. Jelčić interprets Držić as a writer close to the common people and a critic of the social injustices of the Dubrovnik Renaissance.
The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
System change in Hungary in 1989/90. did not change the theater structure, although the publishing structure was significantly transformed.
"Chairs" is a one-act play by Eugène Ionesco, one of the most significant representatives of the theater of the absurd, premiered in 1952. This edition was printed on the occasion of the play's premiere at the Zagreb Drama Theater in 1958.