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Ksenija Kantoci has been exhibiting since 1939. She works in wood, bronze and terracotta. Her exhibition in Zagreb in 1955 is particularly significant for the new trends in Croatian sculpture opposed to socialist realism.
A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
As a whole, the book serves as an authoritative interpretation and valorization of the artist's oeuvre, highlighting her uniqueness and contribution to Croatian modern figuration.
The monograph also provides a biographical framework, an analysis of thematic cycles, an interpretation of the artist's dominant motifs, and numerous reproductions of paintings.