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Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
In Leskarc's poems, we will quickly find themes about art and creativity, the Croatian language and folk customs, and national heritage.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
It seems that everything that should and should not have happened in Ana Jurišić's collection of poems "Harikla" has happened, but its consequences do not exclude surprises and surprises.