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The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
Venedikt Yerofeyev's postmodern prose poem is today considered a classic of new Russian literature. It is compared to Gogol and Kharms for its poetics of absurdity, satire, and metaphysical depth.
Island stories are inspired by some real-life situations and people from our islands, with the intention of leaving a small "trace in infinity". The rest is fictional.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
What it's like to grow up in a family where roles are mixed up, can be told by teenager Viktorija, who sometimes acts as a mom to her mother. How is that possible?
People always think they know who the sponsor is: a calculating, not-so-bad-looking woman who married for money.