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Fromm distinguishes between two ways of life: “having” – focused on possession and control, and “being” – focused on experience, love and authenticity. He calls for a shift towards “being” for true happiness.
The work deals with the analysis of the main representatives and ideas of existentialism, but from the perspective of dialectical materialism, i.e. Marxist philosophical positions.
In The Powers of Horror, Julia Kristeva explores the concept of disgust – that which causes disgust and anxiety because it destroys the boundaries between self and other, purity and impurity, life and death.
In this work, Marcuse deals with the interpretation of Hegel's philosophy through the prism of ontology and historicity, trying to connect it with questions that were relevant to existentialism and phenomenology in the interwar period.
The Stranger is the novel with which Camus achieved his first great success, influenced by Nietzsche's philosophy, Sartre's philosophy of existentialism, and, most of all, his philosophy of the absurd.
In a world that is constantly seeing an increase in violence in its various forms, Erich Fromm treats this problem in an extremely insightful way in one of his most important books.