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In The Powers of Horror, Julia Kristeva explores the concept of disgust – that which causes disgust and anxiety because it destroys the boundaries between self and other, purity and impurity, life and death.
In this work, Marcuse deals with the interpretation of Hegel's philosophy through the prism of ontology and historicity, trying to connect it with questions that were relevant to existentialism and phenomenology in the interwar period.
Arnold Gehlen's main work "The Man" has been the central work of philosophical anthropology since its publication in 1940.
"The Stranger" (1942) by Albert Camus, a classic work of existentialism, follows the life of Meursault, an emotionally indifferent Algerian of French descent, whose apathetic attitude towards the world leads to tragic consequences.
