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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
According to critics, the book is the most important comparative work published on Krleža. It is the result of long-term, passionate reading of Krleža's works.
The book influenced Yugoslav literary criticism in the 1950s, promoting Marxism in art.
The first third of the book provides reviews of Russian literature (Chekhov, Ljeskov, Pushkin...). The second chapter deals with world literature (Balzac, Stendhal, Roland...), and the third chapter contains general articles.