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Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
"A novel that reveals to you the secrets of Mileva's heart, her thoughts and the passionate spirit of a scientist - a woman fighting for her place in the world of science ruled by men."
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
The book represents the author's anthology - the largest part is the novel Čisla (Čisla), followed by the short story Macedonian Criticism of French Thought and several short stories (Odin vog, Akiko, Fokus-grupa, Gost na prazniku bon).
Ignored and harassed by the authorities, surviving on the help of relatives and publishing children's rhymes, this ingenious marginal left behind a veritable treasure trove of strange stories and twisted thoughts in his notes and notebooks.
A generational novel set in the late 1990s, in provincial Croatia. The main character, a thirty-five-year-old journalist in a deep professional and existential crisis, returns from Zagreb to his hometown after years of working in sensationalist media.