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A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
Art history is the study of the historical context of works in relation to creators and periods in the visual arts.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.