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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Uz Kritiku čistoga uma i Kritiku praktičnog uma ovo treće Kantovo glavno djelo spada u ugaone kamene njegove filozofske zgrade, ali i zaokružuje čitav njegov pogled na svijet.