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The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.