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As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
"Bešlić's Colors of Words is a book of poetry that at its core preserves the idea of the renewal of poetry; the idea of its regeneration."
The following pages are torn from the book of the people's revolution. From the book? No, from the womb, from the veins, from the bloodstream, from the roots of life. They are the history of love.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.