Miodrag Bulatović
srpski književnik (Okladi kraj Bijelog Polja, Crna Gora, 20. II. 1930 – Igalo, Crna Gora, 15. III. 1991). Autor romana i pripovijedaka; publicist. Proza mu je s jedne strane pod utjecajem andrićevske poetike, a s druge strane avangardne književnosti. Njegov je pripovjedni svijet uokviren fantastičnim i bizarnim, s bujnom retorikom i snažnim slikama. Djela su mu prevedena na sve svjetske jezike. Važnija djela: Đavoli dolaze (1955), Vuk i zvono (1958), Crveni petao leti prema nebu (1959), Heroj na magarcu (1964), Ljudi sa četiri prsta (1976), Rat je bio bolji (1977), Peti prst (1977); Sabrana dela (I–VII, 1983).
Naslovi u ponudi
Đavoli dolaze
In Miodrag Bulatović's novel The Devils Are Coming, grotesque and phantasmagoria meet the reality of a Balkan village. Through symbolism, irony and dark humor, the author depicts moral decay, madness and evil that arises among people, not outside of them.
Gullo Gullo
Gullo Gullo is a grotesquely powerful novel about the moral and spiritual decay of a human being. In a world of violence, fear and absurdity, the main character wanders between life and death, good and evil, in search of meaning in a tragically twisted re
Gullo Gullo
As in the novels People with four fingers and The fifth finger, Miodrag Bulatović is obsessed in this book with the monstrous tragedy of emigrants, people outside all worlds, that is, people uprooted from their people, origin, name and life.
Jahač nad jahačima
A novel about the absurd, power and downfall of a man obsessed with greatness. In a symbolic, grotesque world, the author exposes the cruelty of power and madness in which ambition and fear blur the line between man and beast.
Rat je bio bolji
Conceived and realized as a separate entity, this novel can also be interpreted as the second part of the book "The Hero on the Donkey." To a greater extent than in "The Hero," here the war "which was better" is depicted as a gigantic burlesque and a pool
Sabrana dela V: Rat je bio bolji
Conceived and realized as a separate unit, this novel can also be interpreted as the second part of the book "A Hero on a Donkey". To a greater extent than in "Hero", here the war "which was better" is presented as a giant burlesque and as a pool of demon