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The seventeenth, final volume of the first edition of Matoš's collected works brings literary and art criticism and polemics from the period 1910-1913, rounding off his critical oeuvre.
Lasić's study uses the method of ontological structuralism to analyze Krleža's early oeuvre (1914–1924) and critical reactions, revealing the tension between aesthetic autonomy and ideological engagement.
A collection of essays, portraits of personalities, social problems and landscape impressions with sharp criticism, cultural analyses and Matoš's characteristic polemical and lyrical style.