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The latest and most comprehensive work by Almir Bašović (1972), one of the leading Bosnian and Herzegovinian literary theorists of the younger generation, dedicated to the dramaturgical structure of Andrić's opus.
The book influenced Yugoslav literary criticism in the 1950s, promoting Marxism in art.
In her preface Mrs. Moorman modestly claims that she has not learned "many new facts about Wordsworth," but she certainly enriches the outline of his early years.