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A collection of short stories in which the author, in a poetic style, portrays man as the backbone of all events, and the beauty of Russia and the Russian soul in all its fullness.
The novel was published in 1862, and in it Turgenev deals with the archetypal relationship between young and old, past and future, old and new values of mid-19th-century Russia.
Nataša Govedić's new book of poetry owes its title, as well as its spine – upright and directly opposed to the associated symbolic field – to the ethics and aesthetics of cursing. However, her settings are more complex than those of the domestic progenito