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The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.