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It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.
The book deals with the study of prehistoric cultures, their development, material remains, and influence on later periods.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
Of all the arts, classical music is the most fulfilling. Listening to music has, more than any other human experience — except perhaps falling in love — the power to evoke the deepest emotions.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
This book is a professional study that deals with folk (traditional) art in the former Yugoslavia.