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This book is a professional study that deals with folk (traditional) art in the former Yugoslavia.
The primary purpose of the book "Introduction to Contemporary Theatrology" is to provide the target readership with an analytical insight into contemporary approaches to theatre in the context of contemporary approaches to literature on the one hand, and
Rem Koolhaas' Delirious New York (1978) is a retrospective manifesto of Manhattan. The book explores "Manhattanism" – an urban condition shaped by density, technology and fantasy that redefines architecture.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.