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Dževad Karahasan (1953–2023), a Bosnian-Herzegovinian essayist and theater scholar, fills the void of the lack of interest in drama and theater in contemporary literature in his collection Dnevnik melankolije.
This book explores various aspects of modern art, offering readers insight into key art movements, artists and their works through humor.
Through rich illustrations and informative texts, readers will discover the masterpieces of art housed in this prestigious museum.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.