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Along with the Critique of the Pure Mind and the Critique of the Practical Mind, this third major work of Kant's is one of the cornerstones of his philosophical building, but it also rounds off his entire view of the world.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
In this provocative essay, Sloterdijk intervenes in the heated debate of the 1980s about modernism and postmodernism. A short, sharp text – essential for understanding Sloterdijk's early approach to aesthetics, media and the crisis of modernity.