Tirena
Pastoral drama (comedy) in five acts, written in double-rhymed twelve-line stanzas (with eight-line stanzas in the lyrical parts), the oldest preserved play by Držić (premiered in 1548 in Dubrovnik, printed in 1551 in Venice).
The work represents the pinnacle and foundation of Croatian Renaissance pastoral. As an innovative synthesis of the classical pastoral idyll (modeled after Sannazar and Italian eclogues) and rustic elements (peasants, humor, folklore), it introduces the juxtaposition of the ideal (mythological-fairy) and the real (peasant) world in one work – a procedure that was novel in genre and influenced later European pastoral (cf. Shakespeare's A Midsummer Night's Dream).
Tirena marks Držić's entry into the Dubrovnik literary elite: written according to the wishes of contemporary poets, it established his status as a serious author worthy of the company of the aristocratic circle. Dedicated to Maro Makulja Pucić, it serves as a programmatic text – a defense against critics and proof of poetic skill.
Tirena is crucial in the history of Croatian literature: it marks the transition from Petrarchian lyric poetry and simple eclogues to a more complex drama, introduces realistic comedy into the idyllic genre, combines mythology, Neoplatonism and Dubrovnik folklore. It precedes Držić's masterpieces in prose (Dundo Maroje, Skup), showing his development from verse pastoral to realistic comedy of character.
As the earliest example of a developed Croatian pastoral drama, Tirena confirms Držić as the greatest Croatian Renaissance playwright: an innovator who enriched pastoral with universal themes (love, beauty, the conflict between ideals and reality) and made it a lively, theatrically attractive form with dance, Moreška and tanze.
One copy is available
