
Proljeće u Badrovcu
Spring in Badrovec (1955), the first edition of a collection of short stories by Vladan Desnica. Lyrical-reflexive stories from the Dalmatian region, written by Desnica in the 1950s, focused on a Dalmatian village in post-war chaos.
Spring in Badrovec: Stories by Vladan Desnica is the first edition from 1955, published in Belgrade by the publisher Prosvet, in the prestigious Brazde library (library of contemporary Yugoslav writers, book 4). This is a rare and sought-after antiquarian edition among collectors of Croatian and Yugoslav literature.
The title story "Spring in Badrovec" (subtitled Spring Rhapsody) is the central text of the collection. The narrator spends the Easter holidays with relatives in the small Dalmatian town of Badrovec, surrendering to the sluggish rhythm of the province after the hustle and bustle of the city. Desnica masterfully depicts the spring revival of the karst landscape – pale colors, blossoming branches, lizards, morning coffee with a crust in old-fashioned cups – creating a poetic, nostalgic contemplation of transience, memory and the sad beauty of childhood.
The collection contains fifteen short stories, which continue the motifs of life in a Dalmatian village and town in the post-war period: everyday rituals, subtle human dramas, suffering, loss and irony. Desnica shows himself here as a refined master of short prose – with precise observation, rich language, subtle irony and a distinctive feeling for nature as a mirror of the inner state. The style is lyrical-reflexive, closer to poetic realism than to earlier sentimentalism.
This is Desnica's second major published work after the collection Wrecks in the Sun (1952), and precedes the novel Spring of Ivan Galeb (1957). Vladan Desnica (1905–1967) confirms with this collection the status of one of the most subtle stylists of Croatian/Yugoslav literature of the 20th century. The first edition of Spring in Badrovec is a valuable testament to his skill and remains a favorite read for lovers of introspective, Chekhovian-like nuanced prose, Dalmatian landscapes, and reflections on time and transience.
One copy is available





