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War-psychological prose set during the Homeland War (1991–1995), with a focus on Slavonia and partly on events in Bosnia. The work belongs to a cycle of prose about the war and women's experiences in it.
These twenty-six stories illustrate Heinrich Boll's finely nuanced storytelling at its best. In stunning portraits of ordinary people, Boll creates a rich tapestry of the dark years in postwar Germany.
A moving and poignant chronicle of the siege and destruction of Vukovar in 1991 through 57 short "postcard" chapters. Pavličić does not write from the perspective of an "ordinary" Zagreb resident who spent the summer of 1991 in Vukovar, and then followed
Paris, Moscow, Berlin, and Prague, 1937. In the back alleys of nighttime Europe, war is already under way.
Conceived and realized as a separate unit, this novel can also be interpreted as the second part of the book "A Hero on a Donkey". To a greater extent than in "Hero", here the war "which was better" is presented as a giant burlesque and as a pool of demon