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The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.