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Bruce Gold, a literature professor and Jewish man from Brooklyn, is offered a chance to become a high-ranking official in Washington. While trying to write a book about the Jewish experience, he becomes entangled in the absurd world of politics, confronti
Philip Roth, a master of introspective prose, creates a wild, erotic, and misanthropic portrait of aging and loss in Sabbath's Theater. A masterpiece of Roth's maturity, the novel bites at taboos, celebrating rebellion against "good manners."
Typical of Ward and Keeland: emotional, entertaining, with an unavoidable single father, smoldering romances, humor, steamy scenes, and a happy ending. A book about opposites complementing each other and the power of love to heal wounds.
The novel represents a journey into an alternative world – a world that we all belong to from time to time, but of which we would not want to be a part, a world of paranoia and alienation that we are not entirely sure is just an alternative or the bare tr
The main characters here are a mother, an actress by profession, and her daughter. Navigating the world of theater and art, and working on a play by a young author, they find their way to each other.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.