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A story from a Zagreb neighborhood patiently, concentratedly, and intelligently unfolds before the reader's eyes.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a kick in the ass to God, Man, Fate, Time, Love, Beauty...whatever you want.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
What it's like to grow up in a family where roles are mixed up, can be told by teenager Viktorija, who sometimes acts as a mom to her mother. How is that possible?
The novel originally titled La Planete des singes, which was the basis for the 1968 film Planet of the Apes.
In the novel, the author describes and comments on domestic socio-political phenomena with dark humor and criticism, almost vaudeville-like, while using a good deal of lively and juicy Međimurje speech.