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Due to its fragmentary and concise form, Matchbox leaves the impression of a mosaic – each story functions independently, but together they create a picture of a world marked by silence, tension, and unspoken emotions.
At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.
The novel was published in 1862, and in it Turgenev deals with the archetypal relationship between young and old, past and future, old and new values of mid-19th-century Russia.