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Nikola Koljević's book Portrait of a Literary Work: On the Drina Bridge presents a detailed literary-theoretical and interpretative study of Andrić's novel On the Drina Bridge.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
The interpreter of the bird's flight or the performance of the novel is an experimental and genre-hybrid text that plays with the boundaries between novels, essays and diary entries.
The book presents a selection of texts written over the past 50 years.