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People always think they know who the sponsor is: a calculating, not-so-bad-looking woman who married for money.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
Good Day, Comrades is a charming novel, subtle in its depiction of the political difficulties of a small, little-known African nation.