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The Stranger is the novel with which Camus achieved his first great success, influenced by Nietzsche's philosophy, Sartre's philosophy of existentialism, and, most of all, his philosophy of the absurd.
In this work, Marcuse deals with the interpretation of Hegel's philosophy through the prism of ontology and historicity, trying to connect it with questions that were relevant to existentialism and phenomenology in the interwar period.
Published in 1954, the collection brings together some of Heidegger's most important short texts from his middle and late period. In these texts, Heidegger develops key ideas about technology, art, language, and man's relationship to Being.