Knjiga "Cvjetovi nutrine" prva je samostalna pjesničko-likovna zbirka Azenije Relić.
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Riječ je o zbirci u kojoj grad postaje sugovornik, prostor čije ulice, parkovi i haustori postaju mjesta susreta (sa samim sobom).
Naslovna pjesma “Crni zec” predstavlja svojevrsni simbolistički manevar unutar “stvarnosne” poezije, jer poput Baudelaireovog “Albatrosa”, posjeduje naglašen jednoznačni naboj.
Pretapanja u potrazi za krhotinama identiteta, u kombinaciji stihova i proznih fragmenata, u prvom su planu ove zbirke.
The book is structured as a series of poems that function like rooms in a "motel" – temporary spaces where emotions, memories, and anonymous human destinies are stored.
The birth, childhood, upbringing and warlike exploits of the giant Gargantua: a satire on scholasticism, wars, monasticism and society, with grotesque humour, enormous eating/drinking and utopian ideals.
The only collection of poems by Mijo Mirković (pseudonym Mate Balota) in the Istrian Chakavian dialect – lyrics of the sea, stone, the suffering of the peasants, faith and love for Istria. The poems celebrate the sea and folk life, with a deep feeling for