Francuska književnost
Stranac
The Stranger is a novel by French writer and philosopher Albert Camus. Published in 1942, it is one of the most significant novels in twentieth-century French literature and one of the best literary depictions of the absurdity of human existence.
Stranac
„Der Fremde“ ist der Roman, mit dem Camus seinen ersten großen Erfolg erzielte, beeinflusst von Nietzsches Philosophie, Sartres Philosophie des Existentialismus und vor allem seiner Philosophie des Absurden.
Stranac
The novel The Stranger (1942) is a work by French writer Albert Camus and a key text of existentialism and the absurd. The novel is written in a concise, almost monotonous style, which enhances the feeling of alienation.
Stranac
"The Stranger" (1942) by Albert Camus, a classic work of existentialism, follows the life of Meursault, an emotionally indifferent Algerian of French descent, whose apathetic attitude towards the world leads to tragic consequences.
Sužnji
The Book of Illness, Fear and Comfort
Taida: roman iz aleksandrijskih vremena
The novel Taida, published in 1890, is one of the most famous works by French Nobel Prize winner Anatole France. The work is inspired by the legend of Saint Taida of Egypt, a 4th-century courtesan who converted to Christianity.
Taida: roman iz aleksandrijskih vremena
The novel Taida, published in 1890, is one of the most famous works by French Nobel Prize winner Anatole France. The work is inspired by the legend of Saint Taida of Egypt, a 4th-century courtesan who converted to Christianity.
Tajanstveno ostrvo I-II
The novel follows five fugitives from the American Civil War - engineer Clyde Smith, journalist Gedeon Spilett, sailor Pencroft, young Herbert and black man Nabu - who escape the siege of Richmond in a balloon, but a storm takes them to an unknown Pacific
Tajna Ker-Evena
The novel "The Secret of Ker-Even", a two-part classic of romance and espionage by M. Delly (pseudonym of sisters Maria and Jeanne-Marguerite Delly), takes place in Breton.
Talijanske kronike
Flipping through old Italian chronicles, Stendhal finds motifs for a series of his novels in which he depicts the passions of the Middle Ages and the unrestrained madness of the Renaissance.
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