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Luigi Pirandello's novel The Late Matthias Pascal (1904), a masterpiece of Italian literature, explores themes of identity, freedom, and social conventions through a tragic yet ironic story of a man trying to escape his life.
In the third part of the trilogy "Pisa (Return)", following in the footsteps of the previous books "Smetlar" and "Cesta", Damir Miloš, not for the first time, questions the space of storytelling and narration, building tension between opposing and incompa