American literature

Rat i sjećanja

An epic historical novel, a sequel to "The Winds of War". The author follows the life paths of the novel's heroes caught up in tragic events, their personal drama, love, hate and joy until the end of World War II, until the final resolution of their fates

Razuzdani Eros

Rembrandt: Slika iz doba Rembranta van Rijna (Ilustrirano izdanje)

A fictionalized biography of the famous Dutch painter Rembrandt van Rijn. The author uses the fictional character of Dr. Joannis van Loon, Rembrandt's alleged friend and personal physician, to tell the artist's life story through his "diaries."

Revolveraš: Kula tmine I

The novel explores themes of fate, sacrifice, and the search for truth, setting the stage for the epic saga that follows. King mixes western, fantasy and horror elements, creating a unique and darkly poetic world.

Roboti zore

Rose Madder

A drop of blood on the sheet of her marital bed will awaken Rosie Daniels from a fourteen-year nightmare. Her husband Norman - she suddenly became absolutely certain - will one day kill her.

Ružičasto raspeće III: Nexus

Nexus, (1960), the final installment of the Pink Crucifixion trilogy, continues the autobiographical narrative from Sexus and Plexus. The novel follows Miller's alter ego in 1920s New York, focusing on his inner development, relationships, and artistic qu

Ružičasto raspeće III: Nexus

Henry Miller's "Nexus" is part of the "The Rosy Crucifixion" trilogy, in which, with less intensity than in his most famous works published in the 1930s in Paris, his rebellion against the stubborn and hypocritical America is sublimated.

Ružičasto raspeće II: Plexus

Plexus (1953), the second part of the trilogy, continues the autobiographical story begun in Sexus. The novel focuses on Miller's life in New York in the 1920s, exploring his artistic pursuits, relationships, and struggle for freedom from social conventio

Ružičasto raspeće II: Plexus

Henry Miller's "Plexus" is part of the "The Rosy Crucifixion" trilogy, in which, with less intensity than in his most famous works published in the 1930s in Paris, his rebellion against the stubborn and hypocritical America is sublimated.