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The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
It seems that everything that should and should not have happened in Ana Jurišić's collection of poems "Harikla" has happened, but its consequences do not exclude surprises and surprises.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.