Zašto je Marx bio u pravu

Zašto je Marx bio u pravu

Terry Eagleton

With his exuberant and uncompromising critique of capitalism, Marx transformed our understanding of human history. Is Marxism, in the wake of today's devastating financial crisis, just a mere relic from another era?

In his polemical and controversial book "Why Marx Was Right", Terry Eagleton deals with the prejudice that Marxism is dead and done with. To glorify Karl Marx might seem as perverse as to stand up for the Boston Strangler. Weren't Marx's ideas responsible for despotism, mass murder, labor camps, economic disaster and the loss of freedom for millions of men and women? Wasn't one of his loyal followers a paranoid Georgian peasant named Stalin, and the other a brutal Chinese dictator who could easily have the blood of some thirty million members of his people on his hands? It is true, however, that Marx is responsible for the vast oppression of the communist world about as much as Jesus is responsible for the Inquisition. For one thing, Marx would scoff at the idea that socialism could take root in desperately impoverished, chronically backward societies like Russia and China.

In his analysis of each of these criticisms, Eagleton shows that they are just a miserable travesty of Marx's original thought. In a world where major crises have fundamentally shaken capitalism, the book "Why Marx Was Right" is as necessary and timely as it is bold and daring.

Written with Eagleton's typical sense of wit, humor and clarity, the book will appeal to a much wider readership than the classic academic audience.

Original title
Why Marx Was Right
Translation
Tonči Valentić
Editor
Kristijan Vujičić
Graphics design
Vesna Baranović
Dimensions
21 x 14 cm
Pages
239
Publisher
Naklada Ljevak, Zagreb, 2018.
 
Latin alphabet. Paperback.
Language: Croatian.
ISBN
978-9-53355-188-3

No copies available

The last copy was sold recently.

 

Are you interested in another book? You can search the offer using our search engine or browse books by category.

You may also be interested in these titles

Pravo na laganje

Pravo na laganje

Immanuel Kant, Benjamin Constant

Kant argued that there is no right to lie because telling the truth is an absolute duty, while Constant advocated the possibility of an exception to the duty, arguing that one should lie for the common good, which sparked a famous philosophical debate.

Službeni glasnik, 2008.
Serbian. Latin alphabet. Paperback.
8.36
Revolucija nade: Za humanizaciju tehnike

Revolucija nade: Za humanizaciju tehnike

Erich Fromm

A humanistic study by Erich Fromm. The author analyzes the dangers of a mechanized society and offers a vision of the humanization of technology, the return of hope, active resistance to alienation, and faith in human potential.

Grafos, 1980.
Serbian. Latin alphabet. Paperback.
11.36
Marksovo shvatanje čoveka

Marksovo shvatanje čoveka

Erich Fromm

A philosophical and sociological study of Erich Fromm. The author reinterprets the thought of Karl Marx, emphasizing his neglected humanism, critique of alienation, and vision of liberation and full human development.

Grafos, 1985.
Serbian. Latin alphabet. Paperback.
8.32
Umijeće ljubavi

Umijeće ljubavi

Erich Fromm

A cult work by Erich Fromm. The author does not view love as a mere emotion, but as a skill and art that requires knowledge, effort, maturity, self-discipline, and constant work on one's own personal development.

Naprijed, 1985.
Croatian. Latin alphabet. Hardcover with dust jacket.
17.80
Rad panike

Rad panike

Goran Ferčec, Siniša Ilić

The work of panic by Goran Ferčec and Siniša Ilić is the first volume of the third round of the Friends library, a joint edition of MaMe and Books. Goran's text and Siniša's drawings were created as part of the production of the same name by the BADco gro

Multimedijalni institut, 2020.
Croatian. Latin alphabet. Paperback.
8.42 - 9.56
Sunce i sjena

Sunce i sjena

Luigi Pirandello

Pirandello's essayistic-reflexive work "Sun and Shadow" explores the fragility of identity and the difference between who we are and what others see, depicting a man torn between inner truth and social masks.

Savremena biblioteka, 1941.
Croatian. Latin alphabet. Hardcover with dust jacket.
9.64