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Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century