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The monograph Sky over Osijek is intended as a collection of intimate writings about the city on the Drava River, Osijek. The authors of the published texts are mostly writers who live in Osijek or have once passed through Osijek and then often visit it.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
The birth, childhood, upbringing and warlike exploits of the giant Gargantua: a satire on scholasticism, wars, monasticism and society, with grotesque humour, enormous eating/drinking and utopian ideals.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.