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Consensus Without Cover (2022) by Neven Sesardić, a Croatian philosopher, is a provocative book that critically questions widely accepted social beliefs, arguing that they are often not based on solid arguments, but on ideology, pressure, or conformism.
The book is still required reading at philological faculties today because it systematically connects language with literature and social context for the first time. It is written clearly, without ideological exclusivity, which was a rarity in 1990.
The capital bibliography of printing and publishing activities in Osijek from 1742 to 1978 lists thousands of books, newspapers, magazines and small print, regardless of language. A classic of Croatian bibliographic creativity of the 20th century.
A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
In the book, Todorov examines the relationship between the production of discourse (rhetoric) and its interpretation (hermeneutics), focusing on verbal symbolism – the phenomenon of indirect meaning that builds on direct, literal meaning.
The book contains three Latin reports by the Croatian Jesuit, nobleman and explorer Ivan Rattkay (Ratkaj, 1647–1683), born in Ptuj (today Slovenia), sent to the provincial of the Austro-Czech Jesuit province from the mission in northern Mexico.