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"Poetic Prose" by Silvij Strahimir Kranjčević (1912) is a posthumous selection of his prose works. Edited by Julije Benešić and Vladimir Gudel, with a foreword by Milan Marjanović. Contains selected stories and essays.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
Short, rhythmic, playful and humorous poems portray the world from a child's perspective, simultaneously entertaining and gently teaching.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).