Erotska književnost

Profesor strasti

Roman „Profesor strasti“ (1977) prati život Dejvida Kepeša, od detinjstva do njegove akademske karijere, kroz prizmu seksualnih želja i emocionalnih nesigurnosti. Rotov jedinstveni stil je mešavina autobiografskih elemenata i satire.

Prostirka za telesnu molitvu

Raffaele: Taming His Tempestuous Virgin

Rakova obratnica

This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.

Rakova obratnica

This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.

Rakova obratnica

This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.

Rakova obratnica

This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.

Ružičasto raspeće III: Nexus

Nexus, (1960.) završni dio trilogije Ružičasto raspeće, nastavlja autobiografsku pripovijest iz Sexusa i Plexusa. Roman prati Millerov alter ego u New Yorku 1920-ih, fokusirajući se na njegov unutarnji razvoj, odnose i umjetničku potragu.

Ružičasto raspeće II: Plexus

Plexus (1953), drugi dio trilogije, nastavlja autobiografsku priču započetu u Sexusu. Roman se fokusira na Millerov život u New Yorku 1920-ih, istražujući njegovu umjetničku potragu, odnose i borbu za slobodu od društvenih konvencija.

Ružičasto raspeće I: Sexus

Sexus (1949) is part of the Rosy Crucifixion trilogy, in which, with less intensity than in his most famous works published in Paris in the 1930s, his rebellion against a dull and hypocritical America is sublimated.