Inferno / Okultni dnevnik : brak s Harrietom Bosse
The so-called Occult Diary occupies a special place in Strindberg's literary legacy. Nothing can be compared to it.
The Occult Diary begins on February 21, 1896, when Strindberg's great inferno-crisis was approaching its climax. A short time before that, he settled in the famous "Orfila" hotel in Paris. "Since that time...", he writes in Inferno, "I noticed a series of revelations, which I could not explain to myself without resorting to the existence of unknown forces." Since then, I've been writing notes, which gradually pile up and form a diary."
From the beginning, he contented himself with recording "unusual cases" in a concise form, strange events and details in which he himself saw miracles or signs, messages from forces. These early notes soon formed the first draft material for both of his confessions, Inferno and Legends. However, his notes become intelligible to others only in an expanded, ordered form, which brings his own interpretations of those observations. The notes grow more and more into an extensive confession and are filled with considerations and reflections and his experiences. The "occult" recedes more and more into the background, but still disappears completely. Especially since Harriet Bosse entered his life in 1900, that work became a diary in the usual sense of the word. Harriet and his relationship to her come to the fore from then on. After she finally left him and entered into a new marriage, he stops that diary about his life. The last dated note is dated July 11, 1908. On that day, Strindberg leaves the flat in Karlavagen, where he and Harriet Bosse had made their home after their marriage, and moves into his last Blatornet flat, Drottninggatan 85. (From the foreword by Torsten Eklund)
A copy is available as part of the book set "August Strindberg: Odabrana djela 1-10"
Browse the set1. Crvena soba
The Red Room is the first modern Swedish novel, published when the author was only 30 years old, and in which Strindberg in an inimitable way managed to connect and fuse the genera-genre orientations of narrative prose, drama and novels.
2. Brakovi / Povijesne minijature
The collection of short stories Marriages brought Strindberg accusations of blasphemy, and because of the criticism of women's emancipation, it also caused reactions from liberal circles. Although he was acquitted in court, the case affected him psycholog
3. Inferno / Okultni dnevnik : brak s Harrietom Bosse
The so-called Occult Diary occupies a special place in Strindberg's literary legacy. Nothing can be compared to it.
4. Sin služavke: Povijest razvitka jedne duše 1849-1871.
One of August Strindberg's autobiographical novels in which he describes his childhood as more difficult than it really was.
5. Ispovijed jednog luđaka
In 1875, Strindberg met Baroness Sirri von Essen and fell in love. In two years, the inevitable happens: the baroness divorces the baron and marries Strindberg, accepting a much more uncertain future for the sake of that love.