Sjeme smrti

The novel begins with the line: "There are days that should not have dawned," evoking the fatalism of an era in which the seeds of modern evils are sown - terrorism, fundamentalism and geopolitical intrigue.

Khayyam, a brilliant but lonely intellectual, lives in Nishapur under the Seljuk sultans, where he faces the collapse of the Arab empire, the arrival of the Crusaders and the conflict between Sunnis and Shiites. As a court astrologer and poet, he navigates court intrigues: the sultan's vizier Nizam al-Mulk, his friend and rival, manipulates power, while Hasan-i Sabbah, the founder of the Assassins, sows the seeds of terror through assassination and fanaticism. Khayyam's love for his wife Fitna, a dancer and mystic, becomes an anchor in the chaos - their erotic and spiritual relationship contrasts with brutal politics, where power hides behind power and law manipulates ritual.

Through Khayyam's diary and visions, Karahasan explores themes: the limits of reason and faith, fatalism versus free will, art as a resistance to violence. The novel, with precise historical backgrounds (calendar reform, the Assassin Order), dissects how modern conflicts were born in that era - from Orientalism to terrorist networks. As an allegory of the contemporary Middle East, The Seed of Death celebrates Khayyam's rubaiyat as a hymn to transience: "Life is a dream, and death is an awakening." Sequels: The Consolation of the Night Sky and The Scent of the Rose.