Književnost

Usta puna zemlje

Roman „Usta puna zemlje“ (1970), remek-delo srpskog pisca Branimira Šćepanovića, psihološki je dubinski istraživač granica ljudske duše, samoće i egzistencijalne slobode, podsećajući na Kafku i Kamija.

U starom zamku

Roman je poznat po svojoj oštroj psihološkoj analizi, ironičnom tonu i jednostavnom, ali snažnom stilu pisanja.

U tišini

Istovremeno jeziva i napeta, ali i topla priča koju nećete moći da ispustite dok ne dođete do kraja...

Utočište

„Azil“ (1996) Patrika Mekgrata je gotski psihološki triler, koji pripoveda dr Piter Kliv, psihijatar u mentalnoj ustanovi sa maksimalnim obezbeđenjem u Engleskoj pedesetih godina 20. veka. Zaronite u tamu strasti koja ruši sve zidove...

U tom grmu leži zec

U traganju za izgubljenim vremenom 10: Zatočenica 2

The prisoner is a depiction of life in Albertina. The love is one-sided, but the protagonist does not have the strength to end the relationship. Bergotte and Swann die, and after an argument with Albertine, he notices one morning that she has disappeared.

U traganju za izgubljenim vremenom 11: Bjegunica

In Bjegunica, the protagonist learns that Albertine died in an accident and he recreates their meetings and life in his spirit.

U traganju za izgubljenim vremenom 13: Pronađeno vrijeme 2

After many years, the protagonist returns to Paris and meets faces from his youth. He becomes aware of the past and decides that the book he is going to write will be "a big cemetery" and "all his past life". Thus ends Found Time.

U traganju za izgubljenim vremenom 2 - Put k Swannu 2: Jedna Swannova ljubav / Put k Swannu 3: Zavičajna imena - Ime

The Road to Swann is the first part of Proust's cycle of novels In Search of Lost Time. This work is about the narrator's memories of the time he spent as a boy in the town of Combray, in his aunt Léonie's house.

U traganju za izgubljenim vremenom 4: U sjeni procvalih djevojaka 2 - Zavičajna imena - Zavičaj

In the Shadow of Blooming Girls, the second novel of the series In Search of Lost Time, was published in 1918 and was awarded the Goncourt Prize in 1919.