Kroatische Literatur

Otac kamenoga srca

Roman prati Ivonu, devojku koja odrasta bez roditeljske topline nakon majčine smrti. Suočena sa očevim greškama i bolnim porodičnim tajnama, ona pronalazi snagu da odraste, voli i oprosti.

Otimanje

Otmica kapetana Sindbada

Detektivsko-avanturistički roman Dobroslava Jurjevskog prati otmicu hrvatskog inženjera u Njujorku i borbu detektiva protiv mafije i spletki unutar emigrantske zajednice.

Otočne priče

Ostrvske priče su inspirisane nekim stvarnim životnim situacijama i ljudima sa naših ostrva, sa namerom da ostave mali „trag u beskonačnosti“. Ostalo je fiktivno.

Otrovana srca / Pobijeljeni grobovi

One of the most prolific Croatian realists and early naturalists with a strong right-wing orientation, in this book he brings together two stories from the Zagreb bourgeois milieu: Poisoned Hearts (1890) and Whitened Graves (1896).

Otrovano proljeće

The first solo collection of poems by Vladimir Kovačić. Intimate and melancholic lyrics in which youthful enthusiasm, love and spring intertwine with feelings of bitterness, disappointment and poisoned youth in a difficult social and personal context.

Pan

Miroslav Krleža

"Pan" by Miroslav Krleža is the author's first book, a mythical-pantheistic poem published in 1917. Through a lush rhythm and sensual images, it conveys an ecstatic experience of nature and life. Fifth edition, first post-war.

Pasja kola

Nataša Govedić's new book of poetry owes its title, as well as its spine – upright and directly opposed to the associated symbolic field – to the ethics and aesthetics of cursing. However, her settings are more complex than those of the domestic progenito

Patnici: drama u 3 čina / Krštenje u dobroj volji: komedija u 1 činu

Two plays by Josip Selak (J. S. Savinski) – a serious portrayal of suffering in three acts and a humorous one-act play about good intentions and intrigue. Works by a lesser-known Croatian playwright and businessman from the early 20th century.

Patuljci žive u kuglama

Books like this one warn us that the classic fairy tale models are still not completely exhausted and that they can serve as a starting point for modern stories that will find their readers among the children of the virtual generation.