Sveta beda / Ljudi u ljetnoj noći
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Sveta beda / Ljudi u ljetnoj noći

Frans Eemil Sillanpää

Holy Misery (1919) is a profound, almost sacred hymn to human endurance, where misery is transformed into something sublime, almost religious, in the hands of a Finnish Nobel laureate who masterfully combined naturalism and lyrical tenderness.

The novel follows the fate of a peasant family in the Finnish interior, during a time of difficult social changes at the beginning of the 20th century. The main characters – poor peasants, farm workers, a mother and father struggling for bare survival – bear the burden of hunger, disease, child death and the relentless nature. But Sillanpää does not write a social indictment; he shows that in this "holy misery" – in the humble acceptance of fate, in quiet faith and mutual solidarity – there is a certain pure, almost mystical beauty. Suffering is not just misery; it is a path towards inner purification, towards understanding life as something sacred, even when it is cruel.

The style is simple, almost biblical in its purity: short sentences, repetitions, a rhythm reminiscent of folk songs or prayers. There are no great heroes, no drama; everything is quiet, everyday, but deeply moving. Sillanpää, who won the Nobel Prize in 1939 precisely for this approach to "poor and little people", shows here his greatest strength: the ability to find the transcendent in the most ordinary life.

In the Croatian (or Serbo-Croatian) language, the most famous edition is from 1961, Svjetlost Sarajevo, where the novel is paired with the short story People in a Summer Night. Today the book is an antiquarian rarity, but it also remains one of the most beautiful testimonies of Finnish literature: it does not cry over fate, but celebrates it in its nakedness.

Original title
Hurskas kärsimys
Translation
M. Vučković, Gustav Krklec
Editor
Milica Grabovac
Dimensions
17 x 12 cm
Pages
327
Publisher
Svjetlost, Sarajevo, 1961.
 
Latin alphabet. Hardcover.
Language: Serbian.

Multiple copies are available

Copy number 1

Condition:Unused

Copy number 2

Condition:Used, very good condition
Damages or inconvenience notice:
  • Traces of patina
  • Slight damage to the cover

Copy number 3

Condition:Used, excellent condition
 

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