Epska književnost
Hiljadu lotosa
Hiljadu lotosa (prvo izdanje 1971, više reizdanja) predstavlja prvu opsežnu antologiju indijske književnosti na južnoslavenskim jezicima, pokrivajući razdoblje od najstarijih vremena (vedski period) do 17. stoljeća.
Hrvatske narodne pjesme – Knjiga deveta: Junačke pjesme (odio prvi, sveska šesta)
Zbirka junačkih, povijesnih, krajiških i uskočkih narodnih pjesama koje je priredio dr. Nikola Andrić. Deveta knjiga serije Matice hrvatske donosi 40-ak narodnih pjesama s motivima borbe, obrane časti i junaštva.
Hrvatske narodne pjesme – Knjiga osma: Junačke pjesme (odio prvi, sveska peta)
Osma knjiga niza "Hrvatske narodne pjesme" donosi uskočke i hajdučke narodne pjesme koje je uredio dr. Nikola Andrić. Zbirka prikazuje borbe, prepade, osvetničke pothvate i junake hrvatske epike.
Izabrana epska djela
Fra Martin Nedić was the first Bosnian Illyrian, one of the fathers of the Illyrian movement, a leading intellectual of his time, a church diplomat, a Franciscan friar, a builder, an educator, a historian and a writer.
Judita
Judita is an epic by Marko Marulić, written in 1501 and printed in 1521. It is considered the first artistic epic in the Croatian language. The work is written in the Chakavian dialect and in the double-rhymed twelve.
Judita
Judith is an epic poem by Marko Marulić, written in 1501 and printed in 1521. It is considered the first artistic epic in the Croatian language. The work is written in the Chakavian dialect and in doubly rhymed twelve-line stanza.
Judit / Judita
Marulić's epic Judith was translated and commented on by Marko Grčić, afterword by Josip Bratulić. Second, revised edition.
Narodne pjesme
The collection *Folk Songs*, published by SKD Prosvjeta, brings a selection of Serbian epic poems, especially the Kosovo cycle, and poems about Marko Kraljević and the heroes of the hajduk-uskok tradition, preserving the spirit of oral heritage.
Osman
Ivan Gundulić: Osman, a romantic epic in 20 cantos. The greatest work of Croatian Baroque literature about the conflict between Christianity and Islam, freedom and tyranny, with Mažuranić's cantos of the 14th and 15th cantos.
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